COSMOPOLIS AND THE DIALECTIC OF COMMUNITY



We are in an era where the everyday problems of food, shelter, clothing, pollution, water and discrimination are becoming global. This shows that today we need an integral dialectic between the communities to respond to these problems. This is possible only in the cosmopolis world. I divide this paper into two parts. In the first part I begin by explaining the terms of my topic and in the second part I highlight the insights from Bernard Lonergan and Robert Doran on the my topic.

PART I

Cosmopolis

The word ‘cosmopolis’ is a combination of two Greek words and they are cosmos which means universe or world and polis which means small city-state. The two words have several meanings depending on its usages and the context where it is used.  According to Kelly the meaning of Cosmos is coherent order and Polis meaning city-state of Greece’s Golden age, which symbolizes reasonableness. Therefore cosmpolis can be referred to as World Cultural Community and World Cultural Country.

Dialectic

The ancient Greeks used the term dialectic to refer to various methods of reasoning and discussion in order to discover the truth. More recently, Kant applied the term to the criticism of the contradictions which arise from supposing knowledge of objects beyond the limits of experience, e.g. the soul. Hegel applied the term to the process of thought by which apparent contradictions (which he termed thesis and antithesis) are seen to be part of a higher truth (synthesis). Therefore, the word ‘Dialectic’ means: the art of investigating or discussing the truth of opinions.

Community

Community means people with a common field of experience, with a common or at least complementary way of understanding people and things with common judgments and aims. It is a social group of any size whose members reside in a specific locality, share government, and often have a common cultural and historical heritage.

PART II

Having briefed about my topic in general now, I move on to the philosophical reflection on the topic according to Bernard Lonergan, the great theologian and philosopher of 20th century as interpreted by Robert Doran in his book Theology and the dialectics of History.

Dramatic Artist and the Search for Direction

For lonergan, world is a drama and each human being is an artist. The greatest or the deepest desire of the human person is to succeed in the drama of existence by finding and holding to the direction that can be discovered in the movement of life. We as human beings are always in search of meaning in our lives and perhaps that leads us to search for direction. In order to explain this he uses the concept of dramatic artist and search for meaning.

The dramatic artist (the individual subject) is conscious of self-presence and his interaction with others. S/he is in constant dialogue with his/her biological, aesthetic, psychological and moral self. The notion of dramatic artistry (an integral dialectic living) and search for direction is central to understanding of Robert Doran of Humanum.  This desire of humanum search for direction (actualizing a meaningful self-existence, a search for cognitive and existential direction, inquiring intentionality,) can be fulfilled by discovering of insights in the movements of life.

Dramatic Artistry and the Structure of the Society

Dramatic artist (subject) is not alone in this world of drama. He is in relation with other beings and systems which is called dramatic artistry. Dramatic artistry is the constitution of human world, human relations in the structural context of the society. It is a dramatic function of the self in the world. To aid dramatic artist (the subject) the society constitutes context for the project of dramatic artistry.

The society is composed of five distinct but interrelated elements; inter-subjective spontaneity, technological institutions, the economic system, the political order and culture. These social conditions constitute the context of that project (project of dramatic artistry) and stimulate personal change encourage the development and exercise of person’s powers of understanding, reason, and responsible choice. This project of dramatist artistry is impeded when the probabilities of insight, reasonable judgment, and responsible decision are diminished.

Cosmopolis and the Dialectic of Community

1.      Cosmopolis

For Bernard Lonergan Cosmopolis is neither a super-state nor an organization. The genuine Cosmopolis is a world cultural community or that is above all politics. Cosmopolis is therefore not a material thing. It is a long standing, non-political cultural fact that transcends the frontiers of states and the epoch of history. For him the World Community comes to its existence through “an achievement of common meaning.”

Cosmopolis is a transformation of intelligence that enables a collaborative intellectual enterprise committed to understanding and implementing the integral dialectic of community. The integral dialectic of the community is the condition of the possibility of a society maximally conducive to the intelligent and free participation of dramatic subjects in the forging of world and self as works of art. Cosmopolis, then, is the innermost constitutive set of intellectual habits informing the praxis of the creative minority, without whose labors the distortions of the dialectic of community are reversed. 

This involves experience, understanding, judging, and deciding, it is not just experiencing of common data, but the common understanding of such data; which further leads us to common judgment about the truth and reality of what is understood, and especially common commitment to worthwhile action arising from common judgment values.

2.      Dialectic of Community

Community is made up of two principles: spontaneous intersubjectivity and practical common sense or practical intelligence. Human being as a social being spontaneously longs to be together or be a part of some group and this spontaneous intersubjectivity is the basis of every community. With the increase and development in the field of technology and economy spontaneous intersubjectivity is no longer capable of holding a community together and thus there is need for ordered society which will only happen by practical intelligence. The necessary tension of the community becomes the basis for decline and development in the society.

3.      Culture

For Doran, Culture serves as the base for the integrity of the dialectic between spontaneous inter-subjectivity and the technological, economic, and political structures created by practical intelligence. The function of culture is to promote an integral dialectic of inter-subjectivity and practicality. Culture has two dimensions;
·         The everyday level of meanings and values informing a given way of life (Common sense).
·         The reflexive or super structural level arising from scientific, philosophic, and scholarly objectification (theoretical Knowledge).

Conclusion

Economic system and political order constitute the elements of a society, which implies the universal human family. The dialectic of community, the dialectical relation of intersubjectivity and practicality, is becoming irreversibly a global reality. There is a need for cosmopolitan intellectual collaboration to generate the cultural values capable of promoting and integral dialectic of community on a global scale. The responsibility of cosmopolitan intellectual involves the transformation or reorientation and integration of the human sciences by derailing the general biases of each community. Cosmopolitan intelligence must also envision a transformation and integration at the everyday level of culture, the level of the numerous instances of common sense.

Finally when we strive towards Cosmopolis, or World Cultural Country we need undergo following three conversions:
1.      Intellectual Conversion 
2.      Moral Conversion and
3.      Religious Conversion

Here I conclude that revolution on different problems in the world may offer immediate solutions but not perfect solution which prevents from further problems. Rather, integral dialectic of community enhances the development and takes the world to new level where there is peace and communion between subject and the other. It will be possible by authentic communication.

BIBLIOGRAPHY

Doran M. Robert, Theology and the Dialectics of History, Toronto: University of Toronto Press, 1990.

--------------------. Method in Theology, Great Britain: Darton Longman, 1972.

Pen Robert, Communication for Communion: Communication as Mutual Self Mediation in Context, New Delhi: Intercultural Publication, 2011.


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